Among post-war design furniture, the Scandinavian enfilade remains a timeless classic for fans of vintage design. Not a publisher of mo...
Among the iconic furniture of post-war design, the Scandinavian sideboard stands as a classic for vintage design enthusiasts. Today, nearly every contemporary furniture catalog features a Scandinavian-style enfilade, a testament to its enduring appeal.
In France, long before the 20th century, the enfilade was synonymous with the sideboard:
Directoire sideboard in cherrywood and elm burr.
The Scandinavian sideboard emerged post-World War II in Nordic countries (Denmark, Sweden, Norway, and Finland). It quickly became a staple of Nordic interiors and was later exported across Europe.
Defining Characteristics:
Large rosewood sideboard designed by Ib Kofod-Larsen for Faarup Møbelfabrik, 1960s.
The Scandinavian enfilade epitomizes the Nordic approach to design:
Rosewood sideboard with sliding doors, exemplifying Scandinavian craftsmanship.
The success of the Scandinavian enfilade coincided with the golden age of Danish design (1935–1965). Denmark’s exceptional designers and industrial efficiency contributed to its global popularity.
Notable Manufacturers:
Teak sideboard designed by Arne Hovmand-Olsen for Mogens Kold, 1960.
Alongside legends like Hans Wegner, Arne Jacobsen, and Finn Juhl, numerous talented contemporaries shaped the era, including:
Sideboard Model 20 by Niels Otto Moller for JL Mollers Møbelfabrik, Denmark, 1960.
From the 1950s to 1970s, the materials shifted from light wood and teak to laminates and melamine. With these changes, sideboards became more decorative, veering away from minimalist Scandinavian principles—a contentious shift for design purists.
The Scandinavian sideboard remains a timeless classic, celebrated for its elegant simplicity, functional design, and rich heritage. Whether crafted in teak or rosewood, it embodies the golden age of Danish design and continues to inspire furniture enthusiasts and collectors worldwide.
François Boutard
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